heller steven valentines vintage holiday graphics
Heller Steven Valentines: Vintage Holiday Graphics
While it may be true that our annual celebration of love began as a pagan feast of the flesh in third century Rome, that shouldn't stop anyone from enjoying this charming collection of Valentine's Day ephemera. From cards to candy boxes, party favors to ads and more, these classic graphics celebrate the holiday of love during the period of 1900 to the 1960s. You'll find the pun quotient to be delightfully high, exemplified by such gems as a baker exclaiming, "You're surely well 'bread'" and a bullfighter vowing "Bullieve me - I love you!" To put the imagery in context, Steven Heller's introductory essay traces the history of Valentine's Day. About the editor: Cultural anthropologist and graphic design historian Jim Heimann is Executive Editor for TASCHEN America, and author of numerous books on architecture, pop culture, and the history of the West Coast, Los Angeles and Hollywood. His unrivaled private collection of ephemera has featured in museum exhibitions around the world and dozens of books. About the author: Steven Heller, co-chair of the School of Visual Arts MFA Designer as Author Program, writes the "Visuals" column for the New York Times Book Review, and is the author of 120 books on design, illustration, and satiric art. Издание на английском, французском и немецком языках.
718 Руб.Steven Heller. 100 Illustrators
Drawn from Taschen's "Illustration Now!" series, this go-to catalog brings together 100 of the most successful and important illustrators around the globe. With featured artists including Istvan Banyai, Gary Baseman, Seymour Chwast, Paul Davis, Brad HollandMirko Ilić, Anita Kunz, and Christoph Niemann, the international overview provides an invigorating record of the dynamism and diversity of the illustration scene.Each illustrator is featured with a self-portrait, samples from their portfolio, and a succinct description by Steven Heller, with a supplementary list of selected exhibitions and publications. In his introduction, Steven Heller describes the dynamic realm of illustration today and the challenging process of selection within this highly competitive and ever-moving genre.
2750 Руб.Heller Steven, Wiedemann Julius 100 Illustrators
100 illustrators to remember Drawn from Taschen's Illustration Now! series, this go-to catalog brings together 100 of the most successful and important illustrators around the globe. With featured artists including Istvan Banyai, Gary Baseman, Seymour Chwast, Paul Davis, Brad Holland, Mirko Ilic, Anita Kunz, and Christoph Niemann, the international overview provides an invigorating record of the dynamism and diversity of the illustration scene. Each illustrator is featured with a self-portrait, samples from their portfolio, and a succinct description by Steven Heller, with a supplementary list of selected exhibitions and publications. In his introduction, Steven Heller describes the dynamic realm of illustration today and the challenging process of selection within this highly competitive and ever-moving genre.
5049 Руб.Heller Steven All American Ads 20s
Prohibition made liquor illegal and all the more fun to drink. Speakeasies, luxury cars, women's liberation, bathtub gin and a booming economy kept the country's mood on the up-and-up. Women sheared off their locks and taped their chests, donning flapper dresses and dancing the Charleston until their legs gave out. Gangsters flourished in big cities and gangster movies flourished in Hollywood. It was the roaring twenties in America: a singular time in history, a lull between two world wars and the last gasp before the nation's descent into the Great Depression. Forging the way into the future like a modern ocean liner in a sea of antiquity, advertising in the 20s sought to bring avant-garde into the mainstream—which it did with great success. About the editor: Cultural anthropologist and graphic design historian Jim Heimann is Executive Editor for TASCHEN America, and author of numerous books on architecture, pop culture, and the history of the West Coast, Los Angeles and Hollywood. His unrivaled private collection of ephemera has featured in museum exhibitions around the world and dozens of books. About the author: Steven Heller, co-chair of the School of Visual Arts MFA Designer as Author Program, writes the "Visuals" column for the New York Times Book Review, and is the author of 120 books on design, illustration, and satiric art. Издание на английском, французском, японском, испанском и немецком языках.
2892 Руб.Heller Steven All American Ads 80s
With the cold war ebbing, crime and inflation at record levels, and movie star-turned-President Ronald Reagan launching a Star Wars of his own, the 1980s did not seem likely to become one of the most outrageous, flamboyant, and prosperous decades of the 20th century. The "greed is good" mantra on Wall Street spawned the power-dressing, exercise-obsessed "Me Generation" of Yuppies-high on cash, cocaine, and Calvins. The art world enjoyed the influx of capital; computers and video games ruled in the office and at home; and the Rubik`s cube craze swept the nation. Leg warmers were big, shoulder pads were bigger and hair was biggest of all. Whether your heart warms nostalgically at the memory of E.T., marathon Trivial Pursuit sessions, and "The Cosby Show"; if you think "Knight Rider," Alf, and break dancing are totally awesome; or Tiffany, baggy acid wash jeans, and Cabbage Patch Kids make you wanna scream, "gag me with a spoon," this book`s for you. To all those who still hear the echoes of "I want my MTV": All-American Ads of the 80s will leave you ready to reach out and touch someone. So just do it! About the editor: Cultural anthropologist and graphic design historian Jim Heimann is Executive Editor for TASCHEN America, and author of numerous books on architecture, pop culture, and the history of the West Coast, Los Angeles and Hollywood. His unrivaled private collection of ephemera has featured in museum exhibitions around the world and dozens of books. About the author: Steven Heller, co-chair of the School of Visual Arts MFA Designer as Author Program, writes the "Visuals" column for the New York Times Book Review, and is the author of 120 books on design, illustration, and satiric art. Издание на английском, французском, японском, испанском и немецком языках.
2892 Руб.Heller Steven All American Ads 1900-1919
The dawn of consumerism: when ads were works of art A far cry from the aggressive ads we`ve become used to, American print advertisements from the first two decades of the 20th century were almost shockingly pleasant. Intricately designed and beautifully illustrated, often in the art nouveau style popular at the time, four-color, full-page magazine advertisements were welcome respites from the bland, text-filled pages among which they appeared. Sales pitches were earnest and friendly; beer, for example, was billed as "The Evening Glass of Cheer" and toothpaste was described as "Delicious Ribbon Dental Cream"-perhaps not the catchiest slogans, but they were on to something. The American consumerist boom of the 20th century was just beginning and advertising was getting its sea legs. From motorcars to hair tonics to steamship cruises to Coca-Cola ("After the theatre drink a glass… it relieves fatigue"), America was peddling its wares in style and setting an example of how to advertise in the modern age. This exhaustive compendium of ads from the period-many of which haven`t been seen for over eight decades-is a fascinating reminder of surprisingly simpler times and a rediscovery of a forgotten age in advertising history. About the editor: Cultural anthropologist and graphic design historian Jim Heimann is Executive Editor for TASCHEN America, and author of numerous books on architecture, pop culture, and the history of the West Coast, Los Angeles and Hollywood. His unrivaled private collection of ephemera has featured in museum exhibitions around the world and dozens of books. About the author: Steven Heller, co-chair of the School of Visual Arts MFA Designer as Author Program, writes the "Visuals" column for the New York Times Book Review, and is the author of 120 books on design, illustration, and satiric art. Издание на английском, французском, японском, испанском и немецком языках.
2892 Руб.Steven Heller. Mid-Century Ads. 40th Ed.
Эта книга, собранная из тысяч изображений, предлагает лучшее из американской печатной рекламы в эпоху «Большой идеи». Смелые и красочные кампании, созданные на пике американского потребительства, рисуют захватывающий портрет 1950-х и 60-х годов, когда опасения по поводу холодной войны уступили место беззаботному капитализму эпохи «Безумцев», основанному на выпивке и сигаретах. Цифровой ремастеринг для оптимального воспроизведения. качество, реклама изобилует четкими шрифтами и цветами, а также сексуальным ощущением возможностей, соблазняя аудиторию покупать все: от оружия до поясов, от автомобилей до зубной пасты, от авиаперелетов до бытовой техники. Эта панорама маркетинга середины века, попеременно поразительная, забавная и вдохновляющая, одновременно является образцом, вызывающим воспоминания, и демонстрацией инноваций в дизайне и рекламного остроумия.Gleaned from thousands of images, this book offers the best of American print advertising in the age of the “Big Idea.” From the height of American consumerism, bold and colorful campaigns paint a fascinating portrait of the 1950s and ’60s, as concerns about the Cold War gave way to the carefree booze-and-cigarettes capitalism of the Mad Men era.Digitally remastered for optimum reproduction quality, the ads burst with crisp fonts and colors, as well as a sexy sense of possibility, beguiling their audience to buy everything from guns to girdles, cars to toothpaste, air travel to home appliances. At turns startling, amusing and inspiring, this panorama of midcentury marketing is at once an evocative period piece and a showcase of design innovation and advertising wit.
3500 Руб.Фигурка Funko головотряс Star Wars - POP! - Kylo Ren (Valentines Edition) 67612
Фигурка Funko POP! Bobble Star Wars Valentines Kylo Ren 67612Фигурка Funko POP! Bobble Star Wars Valentines Kylo Ren (591) 67612 по мотивам франшизы "Star Wars". Производитель: Funko Тип: фигурка Медиафраншиза: Star Wars Серия: POP! Особенности: Valentines Edition +Материал: винил Размер: 11.8 см
1990 Руб.Heller Steven, Selvaggio Marc Menu Design in Europe
A culinary and graphic travelogue through Europe Jim Heimann’s new book on Menu Design in Europe is a mouthwatering feast for the eyes, featuring hundreds of European menus from the early 19th century to the end of the millennium. At once a history of continental cuisine and a sprawling survey of graphic styles, Menu Design in Europe satisfies the craving for foodies and design enthusiasts alike. The dominance of French cuisine provided the template for the culinary delights that spread throughout (and beyond) the continent. As restaurants and dining experiences increased in the 19th century, the need for a more formal presentation of available items resulted in a range of printed menus that could be both extravagant and simple. The 1891 menu from Paris’s Le Grand Vefour, with its intricate die-cut design, evokes a bustling Belle Epoque bistro, while the 1932 menu from London’s Royal Palace Hotel transports you to the bar at a spirited, Jazz Age nightspot. On the opposite side of the design spectrum, the menu for the mid-century Lasserre restaurant expresses a surrealistic simplicity. A range of stylistic decades is represented, from masterpieces of Art Nouveau and Art Deco to the graphic appropriations of the German Democratic Republic. Also showcased are the Michelin awarded restaurants of the celebrity chef–era and rarities such as a German military menu from World War II. More than just bills of fare, these menus often represent a memorable dining experience, at times being presented with as much care and attention to detail as the meal itself. So, although one cannot sit in La Tour D’Argent in 1952 and sample its famous duck dish Le Caneton Tour d’Argent, we can surely imagine what it was like when looking at the waterfowl-themed illustration displaying the night’s offerings. Featuring an essay by graphic design historian Steven Heller and captions by leading ephemerist and antiquarian book dealer Marc Selvaggio, Menu Design In Europe features menus from leading collectors and institutions, providing a sumptuous visual banquet and historical document of two centuries of culinary traditions.
11721 Руб.Heimann Jim, Heller Steven, Mariani John Menu Design in America. A Visual and Culinary History of Graphic Styles and Design. 1850–1985
A la carte Appetite for art: over one hundred years of menu graphics Until restaurants became commonplace in the late 1800s, printed menus for meals were rare commodities reserved for special occasions. As restaurants proliferated, the menu became more than just a culinary listing. The design of the menu became an integral part of eating out and as such menus became a marketing tool and a favored keepsake. Menu Design is an omnibus showcasing the best examples of this graphic art. With nearly 800 examples, illustrated in vibrant color, this deluxe volume not only showcases this extraordinary collection of paper ephemera but serves as a history of restaurants and dining out in America. In addition to the menu covers, many menu interiors are featured providing a epicurean tour and insight to more than a hundred years of dining out. An introduction on the history of menu design by graphic design writer Steven Heller and extended captions by culinary historian John Mariani accompany the menus throughout the book. Various photographs of restaurants round out this compendium that will appeal to anyone who enjoys dining out and its graphic and gastronomic history. Nearly 800 stunning examples of menu design Covers more than a century of exquisite vintage design
5060 Руб.Heller Steven Shop America. Midcentury Storefront Design 1938-1950
In postwar America, everything pointed to a bright, shiny future. Sheer optimism and opulence informed everything from automobile design to architecture, infusing design with larger-than-life planes and curves. Storefront design of the era is particularly indicative of this phenomenon, incarnated here in an extensive collection of hand-illustrated shop window designs from 1938 to 1950. These spectacular, often grandiose plans for grocery stores, shoe shops, beauty salons, bakeries, and more are reminders of a time when stores were sacred shrines for the congregation of American shoppers-impressive and even slightly intimidating, just like the future itself. Collected for this unique book, the designs viewed in retrospect reveal the mindset of a unique period in history. In addition to an extensive selection of drawings are historical black and white photographs of actual shops built in a similar style. Shop America offers a rare look at mid-century commercial America as it pictured itself. About the editor: Cultural anthropologist and graphic design historian Jim Heimann is Executive Editor for TASCHEN America, and author of numerous books on architecture, pop culture, and the history of the West Coast, Los Angeles and Hollywood. His unrivaled private collection of ephemera has featured in museum exhibitions around the world and dozens of books. About the author: Steven Heller, co-chair of the School of Visual Arts MFA Designer as Author Program, writes the "Visuals" column for the New York Times Book Review, and is the author of 120 books on design, illustration, and satiric art. Издание на английском, французском и немецком языках.
4048 Руб.Steven Heller. 20th Century Alcohol & Tobacco Ads. 40th Ed.
Пороки или добродетели: выпивка и курение предоставили маркетологам продукты, которые можно превратить в визуальные пиршества. В этом пышном сборнике рекламных объявлений мы исследуем, как изображения этих товаров варьировались от элегантных до необычных, показывая, как производители подталкивали своих клиентов на протяжении 20-го века впитывать и вдыхать. Алкогольные и табачные тенденции каждой эпохи с избытком запечатлены страница за страницей, а образы брендов вплетены в американскую популярную культуру настолько эффективно, что почти каждый может узнать таких икон, как Marlboro Man или Spuds MacKenzie, фигуры настолько знакомые, что они могут появляться в рекламе без самого продукта.Другие рекламодатели придумывали умные и подсознательные подходы к продаже своих товаров, что подтвердила чрезвычайно успешная кампания Absolut. Даже врачи внесли свою лепту в извращенную версию пропаганды, засвидетельствовав, что курение успокаивает нервы и успокоит горло, в то же время превознося алкоголь как эликсир, способный принести социальный успех. Наслаждаетесь ли вы этими визуальными удовольствиями или любите вдыхать и погрязать в запретных удовольствиях, вы, безусловно, будете в восторге от этого исследования явно яркой — а иногда и противоречивой — главы в истории рекламы.Vices or virtues: drinking and smoking provided marketers with products to be forged into visual feasts. In this lush compendium of advertisements, we explore how depictions of these commodities spanned from the elegant to the offbeat, revealing how manufacturers prodded their customers throughout the 20th century to imbibe and inhale. Each era’s alcohol and tobacco trends are exuberantly captured page after page, with brand images woven into American popular culture so effectively that almost anyone could identify such icons as the Marlboro Man or Spuds MacKenzie, figures so familiar they could appear in ads without the product itself. Other advertisers devised clever and subliminal approaches to selling their wares, as the wildly successful Absolut campaign confirmed. Even doctors contributed to a perverse version of propaganda, testifying that smoking could calm your nerves and soothe your throat, while hailing liquor as an elixir capable of bringing social success. Whether you savor these visual delights, or enjoy inhaling and wallowing in forbidden pleasures, you will certainly be thrilled by this exploration of a decidedly vibrant—and sometimes controversial—chapter of advertising history.
3500 Руб.Heller Steven, Talarico Lita Free Hand. New Typography Sketchbooks
In Free Hand: New Typography Sketchbooks, Steven Heller, respected graphic-design commentator, and Lita Talarico, design educator, offer glimpses inside the personal sketchbooks of more than 70 designers and typographers—including Philippe Apeloig, Ed Beguiat, Hoefler & Co., Henrik Kubel, Toshi Omagari, and Francesco Zorzi. Featuring a wealth of sketches, precision drawings, and computer-generated artwork, as well as a range of styles, concepts, languages, and alphabets, Free Hand illustrates the idiosyncratic creative processes behind the design of typefaces, logos, and word-images. A valuable resource for anyone who engages creatively with type—whether by hand or on a screen—this rich compendium emphasizes the power of typography in the digital age, while celebrating designers who continue to innovate in their practice of this time-honored craft.
2940 Руб.Heimann Jim, Heller Steven 20th Century Alcohol & Tobacco Ads
Selling the most delicious vices Vices or virtues: drinking and smoking provided marketers with products to be forged into visual feasts. In this lush compendium of advertisements, we explore how depictions of these commodities spanned from the elegant to the offbeat, revealing how manufacturers prodded their customers throughout the 20th century to imbibe and inhale. Each era's alcohol and tobacco trends are exuberantly captured page after page, with brand images woven into American popular culture so effectively that almost anyone could identify such icons as the Marlboro Man or Spuds MacKenzie, figures so familiar they could appear in ads without the product itself. Other advertisers devised clever and subliminal approaches to selling their wares, as the wildly successful Absolut campaign confirmed. Even doctors contributed to a perverse version of propaganda, testifying that smoking could calm your nerves and soothe your throat, while hailing liquor as an elixir capable of bringing social success. Whether you savor these visual delights, or enjoy inhaling and wallowing in forbidden pleasures, you will certainly be thrilled by this exploration of a decidedly vibrant-and sometimes controversial-chapter of advertising history.
4546 Руб.Топ спортивный adidas, размер M, черный
Толстовка Adidas Damen Longsleeve Crop Top Holiday Graphics - стильный и комфортный элемент гардероба для женщин.Толстовка выполнена в классическом черном цвете, который легко сочетается с любыми другими цветами и стилями одежды.Особенностью данной модели является наличие длинных рукавов, которые обеспечивают дополнительную защиту от холода и ветра.Толстовка украшена праздничными графическими элементами, что делает ее отличным выбором для создания праздничного образа.Выбирая толстовку Adidas Damen Longsleeve Crop Top Holiday Graphics, вы получаете стильный, комфортный и функциональный элемент гардероба, который станет вашим надежным спутником в прохладные дни.
4514 Руб.Стеганая куртка Steven Vintage Industries, коричневый
Стеганая куртка Vintage Industries StevenФилософия Vintage Industries основана на сути современной, функциональной и вневременной коллекции.Особенности:GRS (Global Recycled Standard)Передняя застежка со скрытой молниейбоковые и нагрудные карманыстанд...
14369 Руб.Пороки или добродетели: выпивка и курение предоставили маркетологам продукты, которые можно превратить в визуальные пиршества. В этом пышном сборнике рекламных объявлений мы исследуем, как изображения этих товаров варьировались от элегантных до необычных, показывая, как производители подталкивали своих клиентов на протяжении 20-го века впитывать и вдыхать. Алкогольные и табачные тенденции каждой эпохи с избытком запечатлены страница за страницей, а образы брендов вплетены в американскую популярную культуру настолько эффективно, что почти каждый может узнать таких икон, как Marlboro Man или Spuds MacKenzie, фигуры настолько знакомые, что они могут появляться в рекламе без самого продукта.Другие рекламодатели придумывали умные и подсознательные подходы к продаже своих товаров, что подтвердила чрезвычайно успешная кампания Absolut. Даже врачи внесли свою лепту в извращенную версию пропаганды, засвидетельствовав, что курение успокаивает нервы и успокоит горло, в то же время превознося алкоголь как эликсир, способный принести социальный успех. Наслаждаетесь ли вы этими визуальными удовольствиями или любите вдыхать и погрязать в запретных удовольствиях, вы, безусловно, будете в восторге от этого исследования явно яркой — а иногда и противоречивой — главы в истории рекламы.Vices or virtues: drinking and smoking provided marketers with products to be forged into visual feasts. In this lush compendium of advertisements, we explore how depictions of these commodities spanned from the elegant to the offbeat, revealing how manufacturers prodded their customers throughout the 20th century to imbibe and inhale. Each era’s alcohol and tobacco trends are exuberantly captured page after page, with brand images woven into American popular culture so effectively that almost anyone could identify such icons as the Marlboro Man or Spuds MacKenzie, figures so familiar they could appear in ads without the product itself. Other advertisers devised clever and subliminal approaches to selling their wares, as the wildly successful Absolut campaign confirmed. Even doctors contributed to a perverse version of propaganda, testifying that smoking could calm your nerves and soothe your throat, while hailing liquor as an elixir capable of bringing social success. Whether you savor these visual delights, or enjoy inhaling and wallowing in forbidden pleasures, you will certainly be thrilled by this exploration of a decidedly vibrant—and sometimes controversial—chapter of advertising history.
