decorative art 50s
Decorative Art 50s
Декоративное искусство 50-х годов. A source book edited by Charlotte & Peter Fiell. Издание на английском, немецком и французском языках.
1012 Руб.Decorative Art 50s
Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. TASCHEN's Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on bother sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future-between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.
1528 Руб.Fiell Charlotte, Fiell Peter Decorative Art 50s
Design trends and styles of the 1950s Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. TASCHEN's Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on both sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future-between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.
7574 Руб.Printio Футболка Wearcraft Premium Like roses
Футболка Wearcraft Premium — цвет: МЕЛАНЖ, пол: ЖЕН. art,abstract, rose, watercolor, illustration,stilyzed,pattern,background, romantic,lake,decorative, creative
1560 Руб.Fiell C., Fiell P. Decorative Art 1950s
Design trends and styles of the 1950sPublished annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.TASCHEN's Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on both sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future-between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.
5619 Руб.Fiell C., Fiell P. Decorative Art 1950s
Design trends and styles of the 1950sPublished annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.TASCHEN's Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on both sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future-between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.
5619 Руб.Stafford Cliff French Style and Decoration a sourcebook of original designs
A visual survey of French decorative art design is a panoply of original sketches, engravings, and printed patterns from the late seventeenth century through today, in a tribute that offers insight into the region's influence on the development of Art Nouveau, Art Deco, and International Modernism.
3011 Руб.Handcrafted silver decorative eagle
The Handcrafted Silver Decorative Eagle is a stunning piece of art that is perfect for decorative purposes. This handcrafted eagle is meticulously crafted with silver, showcasing intricate details and a magnificent design. Its captivating appearance is sure to grab the attention of viewers and become a focal point in any space. Whether its displayed in a home, office, or indoor setting, this decorative eagle adds a touch of elegance and sophistication to its surroundings. The silver finish gives it a timeless and luxurious look, making it a perfect addition to any decor style. This decorative eagle serves as a symbol of strength, freedom, and power, adding depth and meaning to its visual appeal. It can be placed on a shelf, mantle, or tabletop, becoming a conversation starter and a source of admiration for guests and visitors. The craftsmanship and artistry behind this handcrafted piece make it a true work of art. Embrace the beauty and allure of the Handcrafted Silver Decorative Eagle and transform any space into a visually stunning and captivating environment.
0 Руб.Francesca Leoneschi. Patterns in Art: A Closer Look at the Old Masters
A visual delight, and a designer's dream―the decorative details of great European paintings transformed into beautiful two-dimensional patternsRichly embroidered robes. Intricate lace collars. Elaborately laid floor tiles. Delicately carved and modeled cornices and capitals. These are among the details of decorative art that the Old Masters lovingly rendered in their paintings, to establish a setting, convey a portrait subject's social status, or sometimes just enliven a scene. Together these details―so easy to overlook in the imposing harmony of draftsmanship, color, and composition that makes up a great painting―form a veritable history of ornament.This inventive book plucks these decorative motifs from the background of paintings by masters like Bronzino, Fra Angelico and Jacques-Louis David, and transforms them into vibrant two-dimensional patterns. Seeing these patterns side-by-side with the original paintings deepens our appreciation of both. Patterns in Art will be a resource for graphic designers, and a revelation for all art lovers.
3990 Руб.Russian Ornament Sourcebook. 10th-16th Centuries
This sourcebook is a wonderful compendium of decorative details derived from ancient manuscripts of the 10th to the 16th centuries. Starting with a brief history of Russian ornament from its origins through the 16th century, this book is divided in two parts. The first part contains hundreds of examples of decorative motifs in full colour arranged in chronological groups. The second half of the book provides templates, which can be used for tracing or scanning details of the decorative elements. This book is a valuable resource for art historians, manuscript scholars, graphic and product designers, typographers and students.
1770 Руб.Roeper Adalbert Treasury of Ornamental Ironwork. 16th to 18th Centuries
Sixty vintage black-and-white plates illustrate the history of German decorative ironwork from the16th to the 18th centuries. A hard-to-find celebration of the diversity and enduring beauty of Germany's handcrafted iron embellishments, this magnificent edition exhibits striking views of metal doors, balconies, window arches, gates, corner pieces, decorative accessories, and more, many wrought with gargoyles, human figures, and florals. A rich source of inspiration and an accurate, invaluable reference for art historians, architects, craftworkers, and designers.
516 Руб.Decorative Art 60s
Opposing styles in 1960s design Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade. Liberation was in the air, men were rushing to the moon, and the sky was the limit as far as visual creativity was concerned. The concept of lifestyle really came into its own, and although the early years of the decade still saw a rivalry between the well-crafted object and the industrially manufactured, by its end both ethnic and pop iconography had gained equal foothold in the aesthetic. Light was also predominant in shaping interiors. Freedom of choice and personal expression were the buzzwords for the young consumer, and so the likes of Panton, Sottsass, Paolozzi, Parisi, Sarpaneva, and Lomazzi did what they could to oblige.
7574 Руб.Decorative Art 70s
A decade marked by adventures in futurism Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. This volume spotlights the futuristic, experimental aesthetic of the 1970s. After the revolutions of the ’60s, the world of design and architecture became an increasingly exciting and fast-moving hotbed of ideas, rife with vehemently opposing schools and movements. In many ways it was a more extreme era for design than the previous decade. Experimentalism was everywhere, and many projects, thought not practical, were forward-thinking visions of a new kind of decorative art and design. Various groups advocated returning to natural methods, rejecting style in favor of craft or pushing the logic of industrial living to its concrete, high-rise extreme. Decorative Art 1970s includes the work of the decade’s brightest stars, such as Afra and Tobia Scarpa, Luigi Colani, Achille Castiglioni, Kisho Kurokawa, Norman Foster, Richard Meier, and Theo Crosby.
6301 Руб.Trombly Margaret Kelly Faberge and the Russian Crafts Tradition. An Empire's Legasy
A beautifully illustrated book on Russian decorative arts, published to coincide with an exhibition at the Walters Art Museum This book gives a fascinating overview of Russian decorative art, revealing a highly accomplished crafts tradition that persisted over nine centuries. It includes works by Peter Carl Faberge and his workshop, jeweled Byzantine icons, silver drinking vessels, and intricate enamels. Featured are two extraordinary Faberge eggs that were once in the Russian Imperial collection, including one that opens up to reveal a miniature gold replica of the Gatchina Palace, near St. Petersburg. The decorative arts had flourished in Russia under the patronage of the tsars and their court, whose apparently limitless resources supported the production of some of the most technically sophisticated works of art ever made. With the onset of the Russian Revolution, a few individuals helped bring many of these objects to Europe and then into major private and public collections in the United States, including that of the Walters Art Museum. On the 100th anniversary of the revolution, this book tells the stories of their initial dispersal and of the collectors and dealers through whose hands they passed. Full catalog entries for each object are included. 160 illustrations in color and black and white.
10550 Руб.Fiell C., Fiell P. Decorative Art 1970s
Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.This volume spotlights the futuristic, experimental aesthetic of the 1970s. After the revolutions of the ’60s, the world of design and architecture became an increasingly exciting and fast-moving hotbed of ideas, rife with vehemently opposing schools and movements. In many ways it was a more extreme era for design than the previous decade. Experimentalism was everywhere, and many projects, thought not practical, were forward-thinking visions of a new kind of decorative art and design. Various groups advocated returning to natural methods, rejecting style in favor of craft or pushing the logic of industrial living to its concrete, high-rise extreme. Decorative Art 1970s includes the work of the decade’s brightest stars, such as Afra and Tobia Scarpa, Luigi Colani, Ettore Sottsass, Achille Castiglioni, Kisho Kurokawa, Norman Foster, Richard Meier, and Theo Crosby.
5640 Руб.Fiell C., Fiell P. Decorative Art 1970s
Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.This volume spotlights the futuristic, experimental aesthetic of the 1970s. After the revolutions of the ’60s, the world of design and architecture became an increasingly exciting and fast-moving hotbed of ideas, rife with vehemently opposing schools and movements. In many ways it was a more extreme era for design than the previous decade. Experimentalism was everywhere, and many projects, thought not practical, were forward-thinking visions of a new kind of decorative art and design. Various groups advocated returning to natural methods, rejecting style in favor of craft or pushing the logic of industrial living to its concrete, high-rise extreme. Decorative Art 1970s includes the work of the decade’s brightest stars, such as Afra and Tobia Scarpa, Luigi Colani, Ettore Sottsass, Achille Castiglioni, Kisho Kurokawa, Norman Foster, Richard Meier, and Theo Crosby.
5640 Руб.A beautifully illustrated book on Russian decorative arts, published to coincide with an exhibition at the Walters Art Museum This book gives a fascinating overview of Russian decorative art, revealing a highly accomplished crafts tradition that persisted over nine centuries. It includes works by Peter Carl Faberge and his workshop, jeweled Byzantine icons, silver drinking vessels, and intricate enamels. Featured are two extraordinary Faberge eggs that were once in the Russian Imperial collection, including one that opens up to reveal a miniature gold replica of the Gatchina Palace, near St. Petersburg. The decorative arts had flourished in Russia under the patronage of the tsars and their court, whose apparently limitless resources supported the production of some of the most technically sophisticated works of art ever made. With the onset of the Russian Revolution, a few individuals helped bring many of these objects to Europe and then into major private and public collections in the United States, including that of the Walters Art Museum. On the 100th anniversary of the revolution, this book tells the stories of their initial dispersal and of the collectors and dealers through whose hands they passed. Full catalog entries for each object are included. 160 illustrations in color and black and white.
