дюхтинг хайо the blaue reiter
Дюхтинг Х. The Blaue Reiter
Although it only lasted three turbulent years, the afterburn of the Blaue Reiter (1911–1914) movement exerted a tremendous influence on the development of modern European art. Named after a Kandinsky painting, The Blue Rider, this loose band of artists, grouped around Russian emigre Wassily Kandinsky and German painter Franz Marc, sought to reject establishment standards and charge into a new artistic unknown.Articulating spiritual values and concerns in an era of rapid industrialization, the artists of the Blaue Reiter were connected by a shared interest in painting, woodcuts, and prints, as well as the symbolic values of color and spontaneous approaches to artwork. Key pieces such as Franz Marc’s Blue Horse I (1911), Kandinsky’s Picture with a Black Arch (1912), and August Macke’s Woman in a Green Jacket (1913) reveal varying subjects, but all channel distorted perspectives, crude lines, and an emphatic, expressionist use of color.The Blaue Reiter was abruptly truncated by the onset of the First World War, which killed two of its leading artists, along with growing dissent between the group’s protagonists. This book reveals the movement’s remarkable influence despite its brevity, presenting key works, artists, and their reverberating effects.
2007 Руб.Дюхтинг Х. The Blaue Reiter
Although it only lasted three turbulent years, the afterburn of the Blaue Reiter (1911–1914) movement exerted a tremendous influence on the development of modern European art. Named after a Kandinsky painting, The Blue Rider, this loose band of artists, grouped around Russian emigre Wassily Kandinsky and German painter Franz Marc, sought to reject establishment standards and charge into a new artistic unknown.Articulating spiritual values and concerns in an era of rapid industrialization, the artists of the Blaue Reiter were connected by a shared interest in painting, woodcuts, and prints, as well as the symbolic values of color and spontaneous approaches to artwork. Key pieces such as Franz Marc’s Blue Horse I (1911), Kandinsky’s Picture with a Black Arch (1912), and August Macke’s Woman in a Green Jacket (1913) reveal varying subjects, but all channel distorted perspectives, crude lines, and an emphatic, expressionist use of color.The Blaue Reiter was abruptly truncated by the onset of the First World War, which killed two of its leading artists, along with growing dissent between the group’s protagonists. This book reveals the movement’s remarkable influence despite its brevity, presenting key works, artists, and their reverberating effects.
2007 Руб.The Blaue Reiter
The charge of 20th-century expressionism Although it only lasted three turbulent years, the afterburn of the Blaue Reiter (1911–1914) movement exerted a tremendous influence on the development of modern European art. Named after a Kandinsky painting, The Blue Rider, this loose band of artists, grouped around Russian emigre Wassily Kandinsky and German painter Franz Marc, sought to reject establishment standards and charge into a new artistic unknown. Articulating spiritual values and concerns in an era of rapid industrialization, the artists of the Blaue Reiter were connected by a shared interest in painting, woodcuts, and prints, as well as the symbolic values of color and spontaneous approaches to artwork. Key pieces such as Franz Marc’s Blue Horse I (1911), Kandinsky’s Picture with a Black Arch (1912), and August Macke’s Woman in a Green Jacket (1913) reveal varying subjects, but all channel distorted perspectives, crude lines, and an emphatic, expressionist use of color. The Blaue Reiter was abruptly truncated by the onset of the First World War, which killed two of its leading artists, along with growing dissent between the group’s protagonists. This book reveals the movement’s remarkable influence despite its brevity, presenting key works, artists, and their reverberating effects.
828 Руб.Дюхтинг Хайо Кандинский
Продолжающаяся серия, выпускаемая совместно с немецким издательством "Taschen". Творчество Кандинского, его достижения в поисках новых возможностей выражения в живописи, и - шире - нового понимания искусства и сегодня могут показаться странными, неуравновешенными, лишенными почвы. Однако у Кандинского, как, собственно, у любого художника, можно обнаружить для этого предпосылки в биографии: воспоминания детства и юности, наложившие отпечаток на его творчество, позволяют увидеть, помимо унаследованных склонностей, еще и внутреннюю мотивацию, собственно побудительную силу творчества. В многочисленных сочинениях Кандинский, который много и талантливо писал об искусстве, не в последнюю очередь уделял внимание тому краеугольному пункту художественной деятельности, который он описывал как "внутреннюю определенность" или "внутреннюю необходимость". Некую точку опоры для этой основы теоретического мышления Кандинского можно отыскать в его жизненном пути.
617 Руб.Дюхтинг Хайо Кандинский
Василий Кандинский — живописец, график и теоретик изобразительного искусства. Один из основоположников абстракционизма, Кандинский изменил представление общественности об искусстве. В его работах живёт великое множество метаморфоз, смыслов и идей, которые объединены общим стремлением Кандинского к революции в живописи. Его порыв к абстракции был с восторгом принят в Европе, Кандинский стал не только выдающимся, но и успешным художником. В книге германского искусствоведа Хайо Дюхтинга собраны самые значимые, интересные и популярные работы Василия Кандинского. В издании вы найдёте подробные комментарии, анализ картин и биографическую справку для более яркого и полного погружения в художественный мир Кандинского.
1383 Руб.Duchting Hajo The Blaue Reiter
The charge of 20th-century expressionism Although it only lasted three turbulent years, the afterburn of the Blaue Reiter (1911-1914) movement exerted a tremendous influence on the development of modern European art. Named after a Kandinsky painting, The Blue Rider, this loose band of artists, grouped around Russian emigre Wassily Kandinsky and German painter Franz Marc, sought to reject establishment standards and charge into a new artistic unknown. Articulating spiritual values and concerns in an era of rapid industrialization, the artists of the Blaue Reiter were connected by a shared interest in painting, woodcuts, and prints, as well as the symbolic values of color and spontaneous approaches to artwork. Key pieces such as Franz Marc's Blue Horse I (1911), Kandinsky's Picture with a Black Arch (1912), and August Macke's Woman in a Green Jacket (1913) reveal varying subjects, but all channel distorted perspectives, crude lines, and an emphatic, expressionist use of color. The Blaue Reiter was abruptly truncated by the onset of the First World War, which killed two of its leading artists, along with growing dissent between the group's protagonists. This book reveals the movement's remarkable influence despite its brevity, presenting key works, artists, and their reverberating effects.
1912 Руб.Duchting Hajo Der Blaue Reiter
„Der Blaue Reiter“ – kurzer Ausritt mit weitreichenden Folgen Das 1912 erschienene illustrierte Jahrbuch „Der Blaue Reiter“ gilt als eines der wichtigsten Manifeste der modernen Kunst in Europa. In ihm formulierten der russische Emigrant Wassily Kandinsky, sein Freund Franz Marc und andere assoziierte Kunstler ihre Vorstellungen von einer neuen Kunst, die das traditionelle Formenrepertoire sprengen und den Blick von der au?eren Realitat auf die innere richten sollte. Auch wenn sie sich dabei auf ahnliche Vorbilder wie die Maler der Kunstlergruppe Die Brucke beriefen, auf die Fauvisten etwa und die sogenannte primitive Kunst, strebten sie anders als diese nicht einen einheitlichen neuen Stil an. Der Blaue Reiter fungierte als loser Verbund, in dem eine Vielzahl ganzlich eigenstandiger Entwicklungen moglich war. Der Blaue Reiter wurde durch den Ausbruch des Ersten Weltkriegs, in dem zwei seiner fuhrenden Kunstler fielen, aber auch durch wachsende Unstimmigkeiten zwischen den Protagonisten der Gruppe unvermittelt zu Grabe getragen. Diese Einfuhrung zeichnet anhand zentraler Werke wie Franz Marcs Blauem Pferd I (1911), Kandinskys Bild mit schwarzem Bogen (1912) und August Mackes Dame in gruner Jacke (1913) die kurze, aber fur die moderne Kunst folgenreiche Geschichte dieser Gruppierung nach.
3435 Руб.Дюхтинг Хайо Сёра (1859-1891). Пуантилизм
Продолжающаяся серия, выпускаемая совместно с немецким издательством "Taschen". Книга о Жорже Сёра (1859-1891) - французском живописце, основателе неоимпрессионизма. Сёра разработал свою оригинальную технику живописи - маленькими мазками чистых цветов, смешанных только с белилами. Ее часто называют пуантилизмом, но сам автор и его последователи предпочитали термин "дивизионизм". Эта техника была настолько сложна, что художник за свою недолгую жизнь написал только семь больших композиций, не считая пейзажей и рисунков. Стремление Сёра к жесткой структурированности и порядку в работе над своими произведениями было противоположно интуитивизму импрессионистов; поэтому для обозначения созданного им метода возник термин "неоимпрессионизм". Устремления Сёра были направлены не на догматическое следование точечной технике, которую вскоре после его смерти большинство неоимпрессионистов переработали в индивидуальную манеру и писали либо большими пятнами цвета, либо беспорядочными красочными мазками. Эти устремления были направлены на достижение синтеза, уравновешенности всех элементов композиции и имманентной гармонии изображения, о чем свидетельствуют в первую очередь его превосходные произведения. Только после долгих лет забвения и недооценки творчества Сёра его творения были открыты заново и признаны не как наследие одного из эрудированных эстетов, жизнь которого была слишком коротка, а как художника, внесшего свой вклад в преобразование живописи в "науку о картинах". Затем в ХХ веке его идеи получили плодотворное развитие в самых разнообразных областях изобразительного искусства, например в аналитической, радикальной или предметной живописи.
829 Руб.Wolf Norbert Expressionism
Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement's approach flourished internationally and is today hailed as one of the most influential shifts in art history. With leading groups Die Brucke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele, and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as "man lowered to the position of a gramophone record of the outer world", to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures. Covering the group's stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity.
2122 Руб.Hodge Susie Paul Klee
This lavishly illustrated hardback presents the life and work of Paul Klee - a gifted artist whose experimentation with colour and abstraction made him a key figure in the development of modernism. Influenced by Cubism, Expressionism and Surrealism, Klee's own work was varied and experimental. After joining the German group Der Blaue Reiter (The Blue Rider), Klee fought in the First World War before emerging as one of the leading artists in Germany. He taught at the world-famous Bauhaus school of art for 10 years alongside Wassily Kandinsky, before rule forced its closure. This full-colour book charts Klee's development as an artist, the themes that preoccupied him, artists he worked with as well as recounting a remarkable life lived in the shadow of war and oppression. This biographic detail is accompanied by useful timelines, feature spreads and a selection of his most iconic paintings - including Senecio, Twittering Machine and Fish Magic. A wonderful introduction to one of the greatest artists of the 20th century.
4417 Руб.Becks-Malorny Ulrike Wassily Kandinsky. 1866-1944. The journey to abstraction
Wassily Kandinsky was undoubtedly one of the most exciting artists of the twentieth century. He brought an equal passion and commitment to his work as a painter, a theoretician and a teacher of art. After conventional beginnings in Munich, he devoted his intellectual and artistic energies to pioneering new dimensions of expression in art. He ultimately arrived at an abstract style of painting based on the inner properties of colour and form. Although Kandinsky may not be the first truly abstract artist, he was nevertheless the first to experiment with non-representational forms in a logical manner and to develop out of them a homogeneous style. His writings on art, including his ground-breaking work On the Spiritual in Art, have lost none of their significance, and the Compositions which caused such a furore at the first Blaue Reiter exhibition in 1911 are still full and dazzling today. Издание на английском языке.
964 Руб.Various Artists Виниловая пластинка Various Artists Tracce Magnetiche 1982-1984
Состояние носителя: S. Состояние конверта: S. Tracce Magnetiche 1982-1984. Виниловая пластинка . 2 lp A1 Frenetics– The Madman Talk 6:24 A2 Vox Rei– Le Ombre Dei Soldati 5:21 A3 The End – Tears in My Eyes 3:52 A4 Les Blusons Noirs– The Scream 5:36 B1 Illogico– Africani Gemiti 3:38 B2 Blaue Reiter– My inner Thought 4:13 B3 Polaroid – Vita Immaginaria 3:43 B4 Atelier Du Mal– Back To Taiwan 5:11 C1 Sex – A Sickness Called Distress 4:11 C2 Ship Of Fools – Metal Box 4:29 C3 Ideal Standard– Aother Loser 5:07 C4 Nadja – Possession 5:42 D1 The Age – U. E. R. 3:47 D2 Dark Ride– Apocalypse 3:15 D3 Mono – From Planets And Satellites 4:06 D4 T. V. Dance– Schneller Leben 6:27 Тип носителя: Виниловая пластинка
4329 Руб.Norbert Wolf. Expressionism
Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement's approach flourished internationally and is today hailed as one of the most influential shifts in art history.With leading groups Die Brücke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele, and Emil Nolde,the Expressionists disowned Impressionism, which they regarded as “man lowered to the position of a gramophone record of the outer world", to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures.Covering the group's stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity.
2450 Руб.Вольф Н. Expressionism
Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement’s approach flourished internationally and is today hailed as one of the most influential shifts in art history.With leading groups Die Brucke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele,and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as “man lowered to the position of a gramophone record of the outer world”, to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures.Covering the group’s stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity.
2007 Руб.Вольф Н. Expressionism
Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement’s approach flourished internationally and is today hailed as one of the most influential shifts in art history.With leading groups Die Brucke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele,and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as “man lowered to the position of a gramophone record of the outer world”, to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures.Covering the group’s stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity.
2007 Руб.AUDIO CD Pink Martini: Hang on Little Tomato. 1 CD
Треклист: 1. L'Aube 2. Un Calme Matin Orangé 3. Lune De Miel 4. L'intemporel (Hommage À J.S. Bach) 5. Le Soleil Rouge 6. Der Blaue Reiter 7. Sensation (Hommage À Arthur Rimbaud) 8. Un Jour Si Blanc (Hommage À Andreï Tarkovski) Colors 9. Part 1 10. Part 2 11. Part 3 12. Part 4 Clair-Obscur 13. Part 1 14. Part 2 15. Voyage D'Hiver 16. Par Les Soirs Bleus D'Été 17. Moonlight
4299 Руб.Продолжающаяся серия, выпускаемая совместно с немецким издательством "Taschen". Книга о Жорже Сёра (1859-1891) - французском живописце, основателе неоимпрессионизма. Сёра разработал свою оригинальную технику живописи - маленькими мазками чистых цветов, смешанных только с белилами. Ее часто называют пуантилизмом, но сам автор и его последователи предпочитали термин "дивизионизм". Эта техника была настолько сложна, что художник за свою недолгую жизнь написал только семь больших композиций, не считая пейзажей и рисунков. Стремление Сёра к жесткой структурированности и порядку в работе над своими произведениями было противоположно интуитивизму импрессионистов; поэтому для обозначения созданного им метода возник термин "неоимпрессионизм". Устремления Сёра были направлены не на догматическое следование точечной технике, которую вскоре после его смерти большинство неоимпрессионистов переработали в индивидуальную манеру и писали либо большими пятнами цвета, либо беспорядочными красочными мазками. Эти устремления были направлены на достижение синтеза, уравновешенности всех элементов композиции и имманентной гармонии изображения, о чем свидетельствуют в первую очередь его превосходные произведения. Только после долгих лет забвения и недооценки творчества Сёра его творения были открыты заново и признаны не как наследие одного из эрудированных эстетов, жизнь которого была слишком коротка, а как художника, внесшего свой вклад в преобразование живописи в "науку о картинах". Затем в ХХ веке его идеи получили плодотворное развитие в самых разнообразных областях изобразительного искусства, например в аналитической, радикальной или предметной живописи.
