kesey
Kesey Ken One Flew Over the Cuckoo's Nest
In this classic novel of the 1960s, Ken Kesey's hero is Randle Patrick McMurphy, a boisterous, brawling, fun-loving rebel who swaggers into the world of a mental hospital and takes over. A lusty, life-affirming fighter, McMurphy rallies the other patients around him by challenging the dictatorship of Nurse Ratched. He promotes gambling in the ward, smuggles in wine and women, and openly defies the rules at every turn. But this defiance, which starts as a sport, soon develops into a grim struggle, an all-out war between two relentless opponents: Nurse Ratched, backed by the full power of authority, and McMurphy, who has only his own indomitable will. What happens when Nurse Ratched uses her ultimate weapon against McMurphy provides the story's shocking climax.
2032 Руб.Kesey Ken One flew over the cuckoo`s nest
Эта книга - одно из самых известных произведений знаменитого американского писателя XX века К. Кизи. Неадаптированный текст романа снабжен комментариями, заданиями на понимание и словарем. Книга предлагается в качестве учебного пособия для чтения и перевода в вузах и на курсах иностранных языков, а также для самостоятельного чтения. Комментарии и словарь Н.В. Демидовой.
519 Руб.Kesey K. One flew over the cuckoo s nest
Пролетая над гнездом кукушки. Книга для чтения на английском языке. Эта книга — одно из самых известных произведений знаме-нитого американского писателя XX века К. Кизи. Неадаптированный текст романа снабжен комментариями, заданиями на понимание и словарем. Книга предлагается в качестве учебного пособия для чтения и перевода в вузах и на курсах иностранных языков, а также для самостоятельного чтения.
419 Руб.Kesey K. One Flew over the Cuckoo`s Nest
Кен Кизи. Пролетая над гнездом кукушки. Герой-повествователь Бромден по прозвищу Вождь (потому что его отец был последним вождем своего племени) притворяется немощным, глухонемым и слабоумным, чтобы спастись в стенах психиатрической больницы от жестокости и равнодушия нормальной Америки. Этот роман можно читать как исследование противоречивой борьбы между желанием быть свободным и страшными последствиями этой свободы. В книге представлен сокращенный и адаптированный текст уровня Intermediate.
349 Руб.Kesey K. One Flew over the Cuckoo`s Nest
Кен Кизи. Пролетая над гнездом кукушки. Герой-повествователь Бромден по прозвищу Вождь (потому что его отец был последним вождем своего племени) притворяется немощным, глухонемым и слабоумным, чтобы спастись в стенах психиатрической больницы от жестокости и равнодушия нормальной Америки. Этот роман можно читать как исследование противоречивой борьбы между желанием быть свободным и страшными последствиями этой свободы. В книге представлен сокращенный и адаптированный текст уровня Intermediate.
349 Руб.Сумка-ведро Kesey из зерненой яловой кожи Fredsbruder, серый
Бренд: FredsbruderЦвет: серый
15980 Руб.Kesey K. One flew over the cuckoo s nest
Пролетая над гнездом кукушки. Книга для чтения на английском языке. Эта книга — одно из самых известных произведений знаме-нитого американского писателя XX века К. Кизи. Неадаптированный текст романа снабжен комментариями, заданиями на понимание и словарем. Книга предлагается в качестве учебного пособия для чтения и перевода в вузах и на курсах иностранных языков, а также для самостоятельного чтения.
419 Руб.Kesey K. One Flew Over the Cuckoo s Nest
McMurphy, a criminal who feigns insanity, is admitted to a mental hospital where he challenges the autocratic authority of the head nurse.
792 Руб.Kesey K. One Flew Over the Cuckoo s Nest
McMurphy, a criminal who feigns insanity, is admitted to a mental hospital where he challenges the autocratic authority of the head nurse.
792 Руб.Wolfe Tom The Electric Kool-Aid Acid Test
Tom Wolfe's genre-defining magical mystery tour through the 1960s published in Vintage Classics for the first time to mark its fiftieth anniversary. In the summer of 1964, author Ken Kesey and his Merry Band of Pranksters set out on an awesome social experiment like no other. Blazing across America in their day-glo schoolbus, doped up and deep ‘in the pudding’, the Pranksters’ arrival on the scene – anarchic, exuberant and LSD-infused – would turn on an entire counter-culture, and provide Tom Wolfe with the perfect free-wheeling subject for this, his pioneering masterpiece of New Journalism.
3101 Руб.Веннер Ян Саймон Annie Leibovitz. The Early Years, 1970-1983
Annie Leibovitz’s photographic beginnings and Rolling Stone reportage For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style. The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era. Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated. Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
6918 Руб.Luc Sante. Annie Leibovitz: The Early Years 1970-1983
Annie Leibovitz's photographic breakthrough and Rolling Stone reportageFor more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz's inimitable style.The catalogue to an installation at the LUMA Foundation in Arles, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz's origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz's development as a young artist and of a pivotal era.Leibovitz's reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon's resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book's pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it's a celebration of life on the road―the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
5690 Руб.Лейбовиц Э. Annie Leibovitz: The Early Years, 1970-1983
For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
5352 Руб.Лейбовиц Э. Annie Leibovitz: The Early Years, 1970-1983
For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
5352 Руб.Annie Leibovitz's photographic breakthrough and Rolling Stone reportageFor more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz's inimitable style.The catalogue to an installation at the LUMA Foundation in Arles, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz's origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz's development as a young artist and of a pivotal era.Leibovitz's reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon's resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book's pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it's a celebration of life on the road―the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.
