Исполнитель J. ColeАльбом KodГод выхода 2018Год релиза 2018Лэйбл DreamvilleФормат LPСостояние NewЖанр Hip HopСтиль ConsciousСтрана USAGatefoldA1 Intro A2 KOD A3 Photograph A4 The Cut OffA5 ATM A6 Motiv8 A7 Kevin's Heart B1 Brackets B2 Once An Addict (Interlude) B3 FriendsB4 Window Pain (Outro) B5 1985 (Intro To "The Fall Off")
5790 Руб.How hip-hop culture and graffiti electrified the art of Jean-Michel Basquiat and his contemporaries in 1980s New York In the early 1980s, art and writing labeled as graffiti began to transition from New York City walls and subway trains onto canvas and into art galleries. Young artists who freely sampled from their urban experiences and their largely Black, Latinx and immigrant histories infused the downtown art scene with expressionist, pop and graffiti-inspired compositions. Jean-Michel Basquiat (1960–88) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. Writing the Future features Basquiat’s works in painting, sculpture, drawing, video, music and fashion, alongside works by his contemporaries―and sometimes collaborators―A-One, ERO, Fab 5 Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee and Toxic. Throughout the 1980s, these artists fueled new directions in fine art, design and music, reshaping the predominantly white art world and driving the now-global popularity of hip-hop culture. Writing the Future, published to accompany a major exhibition, contextualizes Basquiat’s work in relation to his peers associated with hip-hop culture. It also marks the first time Basquiat’s extensive, robust and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. With contributions from Carlo McCormick, Liz Munsell, Hua Hsu, J. Faith Almiron and Greg Tate, Writing the Future captures the energy, inventiveness and resistance unleashed when hip-hop hit the city.
4640 Руб.Бренд: Cole HaanЦвет: Ivory Orange Slice Print Canvas
10521 Руб.Бренд: Cole HaanЦвет: Optic White Canvas/Lemon Print/Lemon Meringue
12660 Руб.Сумка с полной запечаткой. Taken form the original painting, Oil on Canvas. Barong of Bali.
800 Руб.Label: Dreamville, Roc Nation, Interscope Records – B0028571-01Format: Vinyl, LP, Album Country: USA & EuropeReleased: 05 Oct 2018Genre: Hip HopTracklist:A1 IntroA2 KODA3 PhotographA4 The Cut OffA5 ATMA6 Motiv8A7 Kevin's HeartB1 BracketsB2 Once An Addict (Interlude)B3 FriendsB4 Window Pain (Outro)B5 1985 (Intro To "The Fall Off")
4490 Руб.How hip-hop culture and graffiti electrified the art of Jean-Michel Basquiat and his contemporaries in 1980s New York In the early 1980s, art and writing labeled as graffiti began to transition from New York City walls and subway trains onto canvas and into art galleries. Young artists who freely sampled from their urban experiences and their largely Black, Latinx and immigrant histories infused the downtown art scene with expressionist, pop and graffiti-inspired compositions. Jean-Michel Basquiat (1960–88) became the galvanizing, iconic frontrunner of this transformational and insurgent movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied longstanding racial divisions. Writing the Future features Basquiat’s works in painting, sculpture, drawing, video, music and fashion, alongside works by his contemporaries―and sometimes collaborators―A-One, ERO, Fab 5 Freddy, Futura, Keith Haring, Kool Koor, LA2, Lady Pink, Lee Quiñones, Rammellzee and Toxic. Throughout the 1980s, these artists fueled new directions in fine art, design and music, reshaping the predominantly white art world and driving the now-global popularity of hip-hop culture. Writing the Future, published to accompany a major exhibition, contextualizes Basquiat’s work in relation to his peers associated with hip-hop culture. It also marks the first time Basquiat’s extensive, robust and reflective portraiture of his Black and Latinx friends and fellow artists has been given prominence in scholarship on his oeuvre. With contributions from Carlo McCormick, Liz Munsell, Hua Hsu, J. Faith Almiron and Greg Tate, Writing the Future captures the energy, inventiveness and resistance unleashed when hip-hop hit the city.